import random  
 uplatter ="ABCDEFGHIJKLMNOPQSTUWXYZ"  
 lowlatter = uplatter.lower()  
 digits ="0123456789"  
 symboles="+-*/_=)(&^%$#@![]<>?|,."  
 uper , lowar ,number , symbol = True,True,True,True  
 add =""  
 if uper:  
   add+=uplatter  
 if lowar:  
   add+= lowlatter  
 if number:  
   add+=digits  
 if symbol:  
   add+=symboles  
 length = 15  
 amount = 5  
 for x in range(amount):  
   passwaord ="".join(random.sample(add,length))  
   print(passwaord)  

In this section, you find all the Arduino programming steps.

                                Arduino Project

In this section, you will find all project Codes & ceircut.

If you work with video editing, then learning about Adobe Premiere keyboard shortcuts is nothing short of a necessity. Taking the time to learn all of these different commands will help you work faster and become a more productive editor.

In this article, you will find an easy reference infographic guide, a video with tips on how to use keyboard shortcuts to speed up your workflow, and a compressive list of Adobe Premiere keyboard shortcuts. You’ll be editing like a true professional in no time!

Premiere Pro Keyboard Shortcut Infographic Cheat Sheet

Clipboard Shortcuts

The biggest reason to use the Log color curve is how it retains the most dynamic range of information from the camera sensor (or film negative). It encodes what the camera sees logarithmically, meaning that the correlation between the exposure of the image (measured in stops) and the recorded image is completely constant over a wider range. It utilizes more of the sensor’s information than a standard video curve because it’s saving as much data as possible rather than capturing specifically for the human eye or a video screen. This gives you much more color data to work within post-production.

A CG Element in Linear color space on a Log background.

So, how does Log fit into a VFX workflow?

If you’re receiving Log footage to composite, more often than not, you’re going to want to leave the entire image of the final composition in a Log color space so that it will get color corrected along with the other footage and maximize its data. This can be a problem because, generally speaking, your CGI or video elements are going to be in a more linear color space, like sRGB, Rec. 709 (video), or linear. So you have to convert your elements to Log. We’re going to use a Rec. 709 color space (a color space created for televisions and computer monitors — usually the alternative to Log in digital cameras). Rec. 709 isn’t a completely linear color space, but it’s much closer to linear than Log.

In the example above, the CGI chess set (a model from the starter pack that comes with Video Copilot Element 3d) starts out much darker with higher contrast than the background plate. This is because the footage plate was shot in Log, and the CGI element is in a more linear color space. How do you change the color space of your CGI element? You use a LUT.

A LUT (look-up-table) is essentially a color preset that you can apply to any video footage or element. LUTs create a stylized look, feel, or tone for an image, but there are also a general utility and conversion LUTs. You can use these to change from one color space to another. IWLTBAP has a great free pack of conversion LUTS — check them out here.